Project Hail Mary Movie vs Book — Did They Get It Right? (Full Spoiler Review)
No Limits: The Thriller PodcastMarch 20, 202601:32:08

Project Hail Mary Movie vs Book — Did They Get It Right? (Full Spoiler Review)

Did the Project Hail Mary movie live up to the book? Hot takes incoming.

In this full SPOILER review, we break down the adaptation of Andy Weir’s sci-fi hit—what the movie nailed, what it changed, and whether it captured the heart of the story. From Ryland Grace to Rocky, we dive into everything that worked… and what didn’t.

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00:00:15
All right, guys, exciting episode tonight.

00:00:17
We are joined by Chris, as always, our podcast

00:00:21
microbiologist, I'll be the middle school teacher.

00:00:24
Craig is our tech expert and software engineer guy.

00:00:27
Between the three of us, we can get on a ship to Erid tomorrow,

00:00:31
I think. Yes, welcome, Craig.

00:00:35
Thanks, happy to be here. Welcome time, fan.

00:00:38
Yeah, we this is our second go around.

00:00:40
We we tried to have we had on Adif to talk Mike's Co worker to

00:00:44
talk the book and we definitely want to hear from him.

00:00:47
But you know, these damn technical difficulties.

00:00:50
We're we're still figuring it out.

00:00:52
But anyways, we got Craig here tonight.

00:00:55
Love for you to just start out first impressions, what you did,

00:01:00
what you, what you didn't like, you know?

00:01:02
No, no, we can dive deep into like some of the nitty gritty.

00:01:06
Yeah, yeah, yeah, sure. So, like, I'm.

00:01:09
I'm fresh off of reading the book.

00:01:10
Like I finish on Sunday, saw the movie Monday.

00:01:13
You know, I thought, yeah, well, I, you know, I figured.

00:01:16
I did not think that Ryan Gosling, First off, was going to

00:01:19
be the right actor for this role.

00:01:22
Reading the book halfway through it, I was like, he's not going

00:01:24
to be able to do this. That was my main concern.

00:01:27
And I got into the theater and he hit a good note of, like,

00:01:31
goofy scientist, but, you know, not not emotionally

00:01:35
unintelligent, sensitive, but also, like, really, really

00:01:39
capable. You know, he was really the kind

00:01:41
of person who would talk to themselves as they're trying to

00:01:43
get something done. I thought, you know, the caption

00:01:45
was spot on except for the acceptance, which are kind of

00:01:48
nerdy. But I thought that the story was

00:01:52
well paced. I really liked the way that they

00:01:55
introduced alien life. I love that they had the whole

00:01:58
voice selection. I love the way that they they

00:02:01
they animated. And I'd say animated in the

00:02:03
sense of moving him around, move Rocky around.

00:02:07
And I, you know, just really liked just the way they put

00:02:09
everything together. The stakes felt real.

00:02:12
And that was one of the best things or one of the most

00:02:14
important things that we could have happen in the movie.

00:02:17
And yeah, I definitely recommend it.

00:02:20
In fact, I recommended it several times today at work.

00:02:22
It's like you guys got to get out there and see the movie so I

00:02:24
can talk to you about it. So yeah.

00:02:27
Yeah, this this movie and book is is very interesting.

00:02:31
And like my wife, she when she was at work, she mentioned, Oh,

00:02:35
my, my husband's going to this movie tonight and oh, what movie

00:02:39
project come here. And like, oh, how is he going to

00:02:41
go see it? And I like that doesn't come out

00:02:43
till Friday. And so I had to explain to my

00:02:45
wife how I was able to see this. But her Co worker like who's not

00:02:48
into sci-fi at all, but love this book because I read it

00:02:52
twice. Can't wait for this movie.

00:02:53
It was bummed she missed out on the whole like early early

00:02:58
access screening. But I just feel like this book,

00:03:00
while, you know, maybe it's just Andy Weir, he's good at this.

00:03:04
I feel like the Martian was very much like that.

00:03:06
I, I haven't read Artemis, that's going to be my next one,

00:03:10
but I, I feel like he makes science pretty approachable.

00:03:15
Science, physics, technology, you know, and then I, I think

00:03:21
that like I would recommend this to anybody.

00:03:22
I like this is, it's kid friendly.

00:03:25
Like there's, there's really no like swear words.

00:03:28
There's no like they they removed all the sexual elements

00:03:30
that were in the book. Good point, yeah.

00:03:35
So like, but this, this book is just like a, it's a, it's a

00:03:37
wholesome story about friendship and about understanding who you,

00:03:45
you are, like it as an individual and under like

00:03:50
overcoming like barriers and, and, and like, I don't know,

00:03:53
there's just so many things you can take away from this, this

00:03:55
book. It's just like it's mind

00:03:57
blowing. Yeah, I can't agree more.

00:04:00
It is a book, like we said in our book review episode, more

00:04:03
about people than it is about aliens.

00:04:05
It's more about humans and relationships.

00:04:07
And and I think sci-fi could be a genre that has a barrier to

00:04:11
entry for a lot of folks thinking fantasy, fictional,

00:04:14
made-up, fake, it doesn't have any lessons to teach us, I don't

00:04:18
think. I think they they're completely

00:04:19
wrong because it might use all of those elements as a medium to

00:04:23
tell the story, but you're ultimately telling a story about

00:04:26
the human condition. And this book does that so well

00:04:29
that the movie now does it equally as good.

00:04:32
And I think a big part of our conversation tonight is the book

00:04:35
to movie adaptation. Clearly things had to change.

00:04:39
Clearly a lot got cut. I I think they did a little bit

00:04:43
of the tell don't show because if they decided to show the way

00:04:48
Andy Weir showed in his writing, whether it's the science, the

00:04:51
experiments, things about Zena night and and just all a whole

00:04:54
host of things building the ship with the gravity and the

00:04:57
centrifuge. They had to kind of tell it in a

00:04:59
really pithy, concise way. And so a lot of content got cut

00:05:03
that Andy Weir wrote, but I think he'd be the first to agree

00:05:06
it it may not have worked in a movie.

00:05:08
And if it right was in the movie, it would have been way

00:05:10
over 3 hours long. So the decisions they made to

00:05:14
turn this book into a movie is phenomenal as well done as let's

00:05:18
say, like a Harry Potter. I, I think Hogwarts, how they

00:05:21
filmed it and the characters and who they were, how they

00:05:24
conducted themselves was so close to what almost every

00:05:27
reader had in their mind in the, in the book.

00:05:30
This one, what's fun is you might not have visualized it the

00:05:34
same way. So the visuals of, for example,

00:05:37
for me, Rocky ship was a little different than how I was

00:05:39
picturing it. So there's some things that

00:05:42
visually look different. There's a reason for that.

00:05:45
But we also, I, I think, had the essence of everything, the

00:05:48
essence of everything as I read the book, the motivations, the

00:05:51
characters, how the plots driven, it was all there one to

00:05:54
one, almost perfectly paced out as the book was.

00:05:57
So, so many things were adapted for a movie, but captured the

00:06:00
heart and the core of the book. And I think it's a phenomenal

00:06:03
adaptation. Yeah, I know.

00:06:05
Yeah, I definitely agree. I definitely think though that

00:06:09
and we'll I'm sure we'll get into the minutia.

00:06:11
You referenced The Martian. I think The Martian was, you

00:06:14
know, Andy Weir's big move into, you know, script goes to

00:06:17
Hollywood, right. And I feel like when I was

00:06:20
reading Project Hail Mary, I felt like, OK, he would have the

00:06:25
experience. He took what was good about the

00:06:27
Martian and like the Super well to the layman, super dense

00:06:31
science stuff and then translated that, had that

00:06:34
translated into the film. And I think that worked really

00:06:37
well in Project Hail Mary. But, and I know you, you just

00:06:42
you sort of glossed over it or, or alluded to it like I think,

00:06:45
you know, maybe at the expense of the the discovery of science,

00:06:52
you know, like the the small problems, small problems, small

00:06:55
problems, small problem, victory next level, you know, and then

00:06:59
on up that would have been, you know, kind of a grinding movie.

00:07:02
So yeah. But I, I think they did a really

00:07:05
good job of translating and they focused on what essentially was

00:07:08
like a buddy road trip movie, you know, in space.

00:07:12
So. Yeah, which which foils it with

00:07:14
The Martian, because that message clearly was science.

00:07:17
The shit out of it like that was the main take away.

00:07:19
And the movie captured, I think, a lot of the scientific

00:07:22
experiment, experimentation to stay alive.

00:07:24
This movie I think downplayed the science a little bit, gave

00:07:27
it to you in quick little snippets just so you buy in.

00:07:30
It was more about entertaining you than it was about educating

00:07:33
you. And I think what that allowed is

00:07:36
the Rocky Ryland friendship to have so much more screen time

00:07:39
and play such more of a pivotal role, where in the book I would

00:07:42
say the science might dominate more of the page time than their

00:07:46
relationship. Yeah, yeah, it's, it's an

00:07:50
interesting choice, right. And you know, and you have, you

00:07:53
know, these two books that are very similar in this extent that

00:07:56
you, they're someone lost at space trying to get somewhere,

00:08:03
You know, in the Martian, obviously it's he's trying to

00:08:06
get home or trying to survive until he could potentially get

00:08:09
home. And this one, it's someone who's

00:08:11
forced into something and, you know, trying to save the world.

00:08:17
You have that like existential threat there.

00:08:18
There was no existential threat in the Martian, right?

00:08:23
And one thing Mike did say to me last night, he felt that the the

00:08:26
existential threat like was there, but it wasn't super

00:08:30
played up on it. It at times you maybe you

00:08:33
couldn't feel it because of the the dynamic that the

00:08:38
relationship that but that Rocky and and and Ryland are trying to

00:08:42
build. So, but for me, I I think that

00:08:46
the science maybe took a back seat and you know, this is just

00:08:48
me trying to Monday, Tuesday morning quarterbacking, but one

00:08:53
to distinguish itself between the two movies, right, right.

00:08:56
You have these two books that you know, they're not the same,

00:08:59
but they do have similarities and like, all right, let's let's

00:09:02
distinguish our tone. And two, I, I do really think

00:09:05
that the moral of this story is, you know, like you said, human

00:09:11
condition, connection, sacrifice, being a hero when you

00:09:15
don't think you are a hero, you know, it's not the science.

00:09:19
Well, well, the science in the book is so cool.

00:09:22
And like the way that I think that's one of Andy Weir's like

00:09:25
best ability is just like science communication, being

00:09:28
able to, even though like I appreciate even more, you know,

00:09:32
having a little bit more of that background.

00:09:34
I'm not like an, I'm just a microbiologist.

00:09:36
I'm not like an Astro, but you know, but like the biology

00:09:38
aspect of it. I thought he got great.

00:09:40
And the same thing in all the microbiology and molecular

00:09:43
biology that he talks about in The Martian, You know, like for

00:09:47
me, that like rings out. It makes me feel good when

00:09:50
people get that right. Yeah.

00:09:52
But that being said, I think like here, all right, let's

00:09:56
take, let's put that out of the back seat because we want to

00:09:58
elevate something else. We want to distinguish this as a

00:10:01
little bit something different. We do have this existential

00:10:04
threat of like everyone can die that Ryland is going to die.

00:10:09
You know, that he ultimately, like he got forced to put in

00:10:13
this position. He has to rise to it, and I was

00:10:16
OK with that. I don't know, I, you know, but

00:10:19
like you said, this idea of head cannon, right?

00:10:22
There's a lot of times where I've seen adaptations and, you

00:10:28
know, obviously I, I would, you're right.

00:10:30
Like I think like the Harry Potter series is probably the I

00:10:34
think most people would agree that like the best

00:10:37
representation of an adaptation from a book to to a movie.

00:10:42
Like most people are OK like to to more than OK with those

00:10:46
movies because how well they were executed and how close they

00:10:50
got. Obviously nothing's going to be

00:10:52
1 to one, but a lot of times I find myself just getting pissed

00:10:56
off when people make decisions when they're different than like

00:10:59
what I envisioned here. There was a lot yes, here there

00:11:04
was a lot of differences than what I envisioned in my head,

00:11:07
but I didn't find myself getting upset with them.

00:11:10
I. Agree.

00:11:11
I agree. I felt that their like their

00:11:13
head cannon was just as cool to me that my head cannon was.

00:11:17
I get I was willing to give them grace because they they prove

00:11:21
themselves that they're doing it so well that it was OK if they

00:11:24
change something like Craig, you and I talked a lot last night.

00:11:26
We got out of the movie about small things that we're missing,

00:11:30
like we didn't learn a lot about The Beatles and how he was going

00:11:32
to send The Beatles back, but they gave the fans the little

00:11:35
flash of the five the. Little the little the little

00:11:38
egg, the Easter egg. Like you, you know what we're

00:11:40
talking about. Exactly same thing with the bar

00:11:43
scene. You, you could be upset with the

00:11:44
karaoke scene, maybe have to get some reactions from that.

00:11:47
But it was to show the relationships.

00:11:52
We said they they got the sexual tension.

00:11:53
I think that was just enough to show you if you know the book,

00:11:57
you know there are deeper things going.

00:11:58
In between Dubois and Shapiro. Yeah.

00:12:02
And what a weird part for the book.

00:12:05
I was wondering up until that moment, up until we got there, I

00:12:08
was like, what are they gonna do with them?

00:12:10
And then it came down to, I thought Bob wasn't weird enough.

00:12:13
Yeah, I was like. This is a very they did it just

00:12:15
enough. Yeah, they were like the.

00:12:17
Weirdest thing in the entire book, like the fact that they

00:12:20
were like so freaking horny that I mean, but it's for Comic

00:12:24
Relief, right? So.

00:12:24
I think it was Comic Relief and the movie was already doing

00:12:27
enough humor, which one of my slight hot takes is about that.

00:12:31
But I also think if you ignore any sort of sexual tension and

00:12:36
you're planning a long multi year space mission, you you kind

00:12:40
of missed the point. Part of human psychology is

00:12:42
that's going to play a role no matter what you try to do in

00:12:45
control. So there has to be like a slight

00:12:48
nod to it, but but also you don't want to have to write

00:12:52
erotic or anything crazy off the mark.

00:12:54
So right, handling it in a humorous way via the book was

00:12:57
really smart. And handling it here with a

00:12:59
little let off the steam at the bar singing karaoke, everyone's

00:13:03
letting their hair down. Also a good way to just have a

00:13:05
nod to it and keep the thing moving.

00:13:07
So it's a small change that I, I, I, I give the screenwriters,

00:13:11
you know, credit for not including it, but also not

00:13:14
completely ignoring it. But Craig, what pissed you off

00:13:17
about the karaoke scene the most?

00:13:18
OK. All right.

00:13:19
All right. So we're just going to.

00:13:21
Go directly to it. I've been thinking about it all

00:13:23
day. I while OK, let me be diplomatic

00:13:27
about it. While I appreciated the way that

00:13:29
they treated the character of Ava Strat in the movie, I

00:13:33
thought the actress who who played was great.

00:13:35
I thought, in fact, I'll even say I really appreciated the way

00:13:40
that she, that actress portrayed the emotional like precipice

00:13:46
that she was on. You know, she was still in

00:13:49
charge. She was still, you know, willing

00:13:51
to do anything, but she was you could very much see how things

00:13:55
weighed upon her, you know, and in that scene in the trailer,

00:14:00
you know, when she had to like where she essentially sentences

00:14:04
Island to death, you know, police in his mind.

00:14:08
You know, they did a thing right in the book, you know, he walks

00:14:12
into an office, like what's this big guy here for?

00:14:14
And then that, you know, he holds him and then they they

00:14:16
take him away, etcetera. And then she talks to him later.

00:14:19
I don't even think that scene should have happened in the

00:14:21
book. She tell reads him for Phil.

00:14:23
She says, look, I like you. I don't respect you very much.

00:14:28
You are going to do this thing. It's too bad you didn't say yes,

00:14:30
but you know, whatever. But she, you know, she kind of

00:14:33
tells him off. She a little bit comes back

00:14:35
later, says, hey, I should explain to you why I'm doing

00:14:38
this. And then he's like, go to hell.

00:14:39
It's like, we're going to hell. In the movie, you can see how

00:14:42
much it pains her. There is the karaoke scene

00:14:45
where, as you pointed out last night when we were talking about

00:14:48
this after the movie, Mike, you know, you were correct in that

00:14:52
that character was affected by Ryland in a way that was sort of

00:14:57
like bringing her, bring her softness and emotion out.

00:15:00
You can see how much it pained her to do the thing.

00:15:03
You know, she was very upset about it.

00:15:05
And after everything, you know, kicked off and, you know, The

00:15:09
Beatles came home, she got to learn about what happened.

00:15:13
In my head. Ava Strat.

00:15:15
They included the scene in the book about, you know, her going

00:15:18
off against the copyright. You know, basically people who

00:15:21
owned all the software copyrights are like, hey, we

00:15:24
want our money. She's like, no, she fought

00:15:26
everybody. Everybody was subject to her

00:15:29
prerogatives because she was the one who was anointed with the

00:15:32
responsibility to save the world.

00:15:34
And she's willing to do whatever, work with whomever,

00:15:37
get anything done. And, you know, whatever

00:15:40
affection she had for Ryland was also paired with, like, you're

00:15:43
useful. Yeah.

00:15:45
You know, I do kind of like you. But you have the right home of

00:15:48
resistance. You know how to work with this

00:15:50
stuff. You're kind of expendable.

00:15:52
And we needed somebody to work with it within three days before

00:15:54
we got the real people in on it. You figured out how to get, you

00:15:57
know, how to breed them. So you were good then you have

00:16:01
to now get on this ship like you are always subject to the, the

00:16:04
import of the, the, the of the mission.

00:16:08
And in fact, she herself, I'm sorry, going off about this, she

00:16:12
herself knows that when all this is said and done, the

00:16:15
governments of the world are most likely going to turn on her

00:16:17
and put her in in prison for love.

00:16:19
And in my mind, that's what happened to her.

00:16:23
She doesn't know what happened to Ryland.

00:16:25
She doesn't, you know, get justice.

00:16:27
She does what she does. And as a student of history, she

00:16:30
understands that she's actually just going to, she's sacrificing

00:16:33
herself in much the same way that everybody else is in the

00:16:38
film. Everyone got the comfort of

00:16:41
knowledge, Riley, you know, he understood that Earth was saved,

00:16:46
which is what happened in the book.

00:16:48
In the movie, he was able to send video of himself.

00:16:51
He introduced an alien race to Earth, or at least to Ava Strat,

00:16:57
which I think was a terrible idea.

00:16:59
But yeah, I suffice it to say I'll stop talking.

00:17:03
I'll take a sip of water after this.

00:17:04
But honestly, I'm thinking about all day Strat who, you know,

00:17:08
basically the, you know, was the the head of every room who

00:17:14
controlled every government, at least for a limited time and who

00:17:18
had no problem, you know, sending people to their deaths

00:17:21
for the greater good. Not because she enjoyed it, but

00:17:24
because she knew that it had to be done based on the president

00:17:27
of history is right is the one I prefer.

00:17:30
That being said, having said all that, before I get to the sip of

00:17:33
water, I will say that I understand that it's a movie and

00:17:39
it's a movie being shown. If you saw a woman doing that,

00:17:45
doing what the Strat in my mind was doing, I don't think the

00:17:48
test test audiences would have affected very much.

00:17:51
To be honest. I don't know if I would have

00:17:53
loved it very much and I don't know if I love that, but it's

00:17:55
true. And I think they wanted to make

00:17:58
more of an emotional connection as well between the characters.

00:18:03
As you've pointed out, there is no sexual tension or not a real

00:18:06
1, not real sexual tension in the movie.

00:18:08
This is about relationships are not about the fact, so there had

00:18:12
to be an injection of the real human feeling and connection and

00:18:15
outside of the the broke man's that they were showing on the

00:18:18
ship or ships. This is where it was shown.

00:18:22
Also. We didn't really have any.

00:18:24
He never had any connection to the crew, you know, to to

00:18:28
Ilukina or to Yao. Yeah, so many way.

00:18:31
That's my big thing. That's my Hilda high on bring

00:18:34
back book Strat. I think that's great.

00:18:36
I you know, it's a good question about like, sure, that's

00:18:41
probably the biggest change between the book and the movie

00:18:45
other than like cuts, you know, like ultimate decisions that you

00:18:49
have to make for runtime in terms of changing fundamentally

00:18:54
who Ava Strat is. And I do agree with you that I

00:18:57
think it's a little bit of a decision to soften her, to make

00:19:01
her a little more palatable to viewers because they, you know,

00:19:08
you did a great job explaining like who who this person is

00:19:11
She's. Been going over been going over

00:19:13
it my whole the whole day. She's almost like hit like you

00:19:15
were describing like Hitler, but like for, for good.

00:19:18
Like, yeah, you know, yeah, that's.

00:19:21
That's perfect. That did it.

00:19:22
She she was like, what do I got to do?

00:19:24
Dictator, let's go I. I don't know if that would have

00:19:27
gone that well, but I do think they towed a good line of

00:19:32
capturing a little bit of that in terms of her, you know, very

00:19:37
serious. You know, she only shows like 1

00:19:39
little crack during the karaoke scene of like having some

00:19:43
emotion. You know, I love the little

00:19:47
quips, you know, like the line. But I still think about it when

00:19:51
it's in the book too. It's straight from the book, but

00:19:54
you, you, when he's like, you picked me to come in here to

00:19:56
die, like would you want me to die Right.

00:19:58
And then she turns around you, you have to, you have to discuss

00:20:01
this. We'd prefer.

00:20:03
You stay alive the. Difference in the room is that

00:20:05
we would prefer you stay alive. Like, you know, like I I think

00:20:09
they did a a good job of capturing the essence of what

00:20:12
Andy Weir put into that character.

00:20:14
But I do ultimately think that that, you know, if you were to

00:20:17
take just straight that character from the page, it

00:20:19
would have been maybe a little bit of a drag.

00:20:22
Hot tape. Yeah, I'll.

00:20:24
Take it coming. Hot take yeah, I just, I just, I

00:20:27
just, I don't know, I, I, I feel like, yeah, sorry, I've said in

00:20:32
hot take. Counter pointer to your hot

00:20:33
take. Yeah, yeah.

00:20:34
Please please. I bet my tongue, as Chris can

00:20:36
tell you, I rarely do. I rarely do on this podcast.

00:20:43
No, I held my tongue, I'll put it that way.

00:20:47
Strat was the best part of this movie.

00:20:54
Strat stole the show. The decisions and the dialogue

00:20:58
and the screen writing for Strat was perhaps the single best

00:21:03
thing to me in this movie. Now, that being said, before I

00:21:08
break down, why, yes, Rocky and Ryland, they stole the show.

00:21:12
Yes, Rocky and Ryland and the way they had the puppeteers and

00:21:16
they built this bond and they brought everyone to tears and

00:21:19
you're weeping and they're. But here's the thing, I expected

00:21:23
that, right? Like if the movies even going to

00:21:25
be half good, that has to be a 10 out of 10.

00:21:27
It has to be perfect. And so they rose to that bar.

00:21:30
They met, you know, they rose to the occasion they met that bar.

00:21:33
So kudos to them. The only thing is I think I kind

00:21:35
of expected that. And in the trailers I almost was

00:21:39
like they got strapped completely wrong.

00:21:41
This woman does not have the the on screen presence.

00:21:45
She doesn't have the balls, the gravity class.

00:21:47
Oh no. I was like, Oh no.

00:21:49
So maybe it's because I went in with high expectations for

00:21:52
Ryland and Rocky. I went in with low expectations

00:21:55
for Strat that's sitting in the theater.

00:21:59
I was blown away by her, her performance of it and how they

00:22:03
crafted her to make her human. But I don't, I don't think they

00:22:06
sacrifice anything about her dedication to the mission.

00:22:10
I don't think they sacrificed anything about her willingness

00:22:13
to use authoritarian rule and be the leader the world needs.

00:22:17
Fuck all else. Like nothing else matters right

00:22:20
now. I'm in charge.

00:22:22
I thought they captured that brilliantly right off the bat.

00:22:25
When when she takes him and, and she's forcing him to do the

00:22:28
testing and he's in the lab working and she's basically, she

00:22:31
is like the conductor of an orchestra behind her of every

00:22:35
top brass in the world, every military is literally there

00:22:38
listening to her will not move a muscle, won't lift a finger if

00:22:44
she Even so much as looks at them.

00:22:45
And she is commanding presence if she's a commanding presence

00:22:48
everywhere she goes. And when I saw her in a trailer,

00:22:51
I was like, oh hell no, she's not going to be able to do that.

00:22:53
But then the first second she was on screen, just her face

00:22:56
told me, oh, she's going to do this.

00:22:58
And she did it. Sandra Miller, like casting her

00:23:01
was, was very good. I I thought that was a very good

00:23:03
cast. And then the cracks, though,

00:23:06
because you're right, I'm not going to disagree with anything

00:23:08
you said. The writing from the book was a

00:23:10
little softened. They made her a little more

00:23:12
human. And I think it's such a

00:23:13
brilliant move. And if I felt they did that and

00:23:16
sacrificed the mission before self mission above, above all

00:23:20
else, if I thought they sacrificed that in any way, I

00:23:22
would have had a problem. I don't think they did.

00:23:24
I think they did both. And it was captured when she was

00:23:28
basically forcing him onto the ship in her office.

00:23:30
And they had that conversation. Her face played it perfectly.

00:23:34
And then a line like one day you will see I'm doing this because

00:23:37
I care about you. And to me that decoded the whole

00:23:41
thing. The whole thing was she's going

00:23:43
to be this hard ass because she cares so deeply about people.

00:23:47
She might be one of the highest EQ in emotionally intelligent

00:23:50
people in the film. And she has to be somebody who

00:23:54
has zero EQ in the moment. And, and the lessons of

00:23:57
leadership from that I think are really, really deep.

00:24:00
It's that's the kind of person you know, you'll go to war for.

00:24:02
You will follow into battle because as hard as they are on

00:24:05
you, how they come off like a complete asshole, you know, 1

00:24:10
They're so invested in the mission and they're so invested

00:24:12
in you personally. And there's so much belief and

00:24:15
there's so much care behind it that I think they capture that

00:24:19
so well. And then to give her the little

00:24:21
crack of singing the song but then turning it off.

00:24:24
No, for the movie, that was fine.

00:24:25
For the movie, that was fine. I'm.

00:24:27
Going to push back. I don't think that we got a lot

00:24:30
of that in the book. I think that was all added.

00:24:33
No, no, I'm thinking we're that OK with that?

00:24:35
Yeah, you're. Saying you're you're OK with

00:24:36
that. OK, I, I think there were little

00:24:39
glimpses of it in the book that you had to really look for.

00:24:43
I think she cared desperately about the people that she was

00:24:46
sending. I don't think she sends people

00:24:48
to their death the world flippantly.

00:24:50
She didn't send people to the she cares about the world, yes,

00:24:52
but she didn't send people to their death flippantly.

00:24:54
She was in a situation forced to say you have to die, I'm sorry

00:24:59
you have to die. But deep down behind that is not

00:25:02
just an asshole who doesn't care about your life.

00:25:04
She cares deeply about your life.

00:25:05
And she's just putting it in perspective.

00:25:07
And and I thought they handled it.

00:25:08
I think I think Andy Weir very much would approve of what they

00:25:11
did with her. And that's that's.

00:25:12
No, no, no, I think, I think he would have, but I think he would

00:25:15
have because he understands Movies Now.

00:25:17
I think Strat understood and cared about life and human life

00:25:23
in particular. I don't think she cared so much

00:25:26
about individual people, which is you've also worked for that

00:25:29
guy or woman, right? And that's also fine, depending

00:25:33
on how the you know what the job is.

00:25:35
In this case, the job was and you guys talked a little bit

00:25:38
about this in your in your podcast about the book.

00:25:40
You know, the stakes are so high, right?

00:25:43
She knew from her knowledge of history with the big reveal for

00:25:48
me at the end of the book, is it like she's actually a student of

00:25:51
history and she knows what has to happen?

00:25:54
She knows that there will be purges and famine at that.

00:25:57
Countries will just not be able to hold it together.

00:25:59
It's a miracle that they were even doing this right.

00:26:04
What was missing? And I don't think, I think it

00:26:06
was not necessary in the movie, but I liked it.

00:26:09
And I don't know what to say about me, but I think that there

00:26:12
was a level of contempt that Strat had for Ryland's situation

00:26:20
and this that that wasn't necessary in the movie.

00:26:23
Part of the reason is that what she did to him in the book was

00:26:27
to purposely to give him selective memory recovery.

00:26:31
And this is maybe leading into maybe one of the big differences

00:26:34
between the the book and the movie.

00:26:36
In the movie, you know, there isn't you know, he's he's gone

00:26:40
through the Koma, but he doesn't have a specific French

00:26:44
government derived drug that you know, it's giving him like, you

00:26:47
know, reveals of memory. So he's understanding himself

00:26:50
through recollection. In the movie, he knows himself.

00:26:54
He understands that he sees himself as a coward.

00:26:57
He talks about that repeatedly in the movie.

00:27:00
And when it comes down to the time he's like, no, I'm not

00:27:02
qualified. I'm not an astronaut.

00:27:04
You know much the same thing. But he understands that it's

00:27:07
it's us who are are being you know, we're getting the

00:27:10
revelation of like this is what the preceded that.

00:27:13
So when he wakes up on the ship, he knows everything.

00:27:18
The reason he doesn't know the crew that well is because he

00:27:22
never got to know the crew that well.

00:27:24
You know, he didn't, they weren't his friends.

00:27:25
He didn't know Yao very well. He didn't know enough very well.

00:27:30
In the book, he just, you know, he has feelings for them, but he

00:27:33
can't remember why. So one thing, yeah, sorry,

00:27:38
leading away from Strat, but kind of going into a a sort of a

00:27:41
narrative. Difference here.

00:27:42
I think that's a good, good point because it's it's

00:27:45
obviously a big shift and I think that it's hard, you know,

00:27:51
kind of like the Martian. These books are both very, they

00:27:56
live inside the main character's head for a, a large portion of

00:28:00
it. And it's like, how do you, how

00:28:02
do you capture that on screen? You know, and I, I felt that

00:28:06
obviously I knew they were going to have to make some changes.

00:28:09
They made it like some subtle nods to it.

00:28:11
Like when he first wakes up, he's like, why do I know that's

00:28:15
a scanning electron microscope, you know, like, so I wouldn't

00:28:18
even tell that he is not. But yeah, no, I, I, I got the

00:28:22
sense right away that he and they purposely cut out like the,

00:28:29
the tight relationship that he develops with the entire crew.

00:28:35
No, Dimitri. Yeah, because they had to, you

00:28:39
know, they had to cut some time. And that was a decision.

00:28:42
And I think that for me, like as a, as a book reader, like that

00:28:46
is probably my biggest not not Ding, but just the, the biggest

00:28:50
thing I was upset about because I like that dynamic.

00:28:53
I thought that, you know, once he remembers everything about

00:28:58
Yao and then everything about Ilukina, like that's a big

00:29:02
reveal for us as a reader and it it brings like some emotional

00:29:07
clarity. You know, that because the him

00:29:11
putting them out to, you know, giving them a a funeral is is

00:29:16
not and not as quickly in the book as it is in the movie,

00:29:19
right, right. So.

00:29:21
There's a few positives to this choice, though, because yeah,

00:29:23
you can be disappointed. You know, we can say the

00:29:26
age-old, oh, they didn't include everything from the book.

00:29:28
So yeah, I know. I know you can't.

00:29:31
So you can you can do that, but I think that that's the wrong

00:29:34
way to look at it because if they tried to do this as some

00:29:37
psychodrama, it was the memory loss.

00:29:41
And then the memories come back to you slowly.

00:29:43
And like that's just I think them imposing a story on you as

00:29:48
the audience and on the plot. Instead, they let their pacing

00:29:51
walk the walk and they said, we're going to cut back and

00:29:54
forth between scenes and just let that speak for itself.

00:29:57
We don't need to didactically instruct you.

00:29:59
He has this memory loss Strat programmed it that way.

00:30:02
She knew coming out of the coma, if he remembered everything

00:30:04
right away, he might go crazy and cancel the mission.

00:30:07
If he remembered he was a coward.

00:30:08
If he remembers his relationship with the crew who died because

00:30:11
some of you were going to die waking up from this coma, most

00:30:13
likely statistically. So I think if you try to explain

00:30:16
away all the psycho drama of what memories he had, it also I

00:30:21
think it wouldn't work and it makes me think of another

00:30:23
series. We did another book to TV show

00:30:26
adaptation. The book did not have much of

00:30:29
this fuzzy memory loss thing as much, but the TV show laid into

00:30:33
it so heavy. Everything in the movie was a

00:30:36
fuzzy flashback. Is it a false memory?

00:30:38
Can you trust the narrator? And it really didn't land

00:30:42
because it, it almost made everything too murky and you

00:30:45
didn't know who was real, who was what was going on.

00:30:48
It's like we didn't need it to be that kind of Shutter island

00:30:53
or something, you know, like we're not playing this whole

00:30:55
memory schizo game. So I was glad.

00:30:57
It was just like he slowly came back to the memories.

00:30:59
He slowly became more confident. And like 20-30 minutes in, we're

00:31:02
caught up to speed. He's at his best, he's a

00:31:04
scientist, he knows what he needs to do, and he's got to

00:31:07
figure out how to live on the ship like.

00:31:09
Because if that doesn't happen, probably not at all like 2, like

00:31:12
2/3. Like he doesn't become fully who

00:31:15
he is until like, well, after he meets, yeah, Rocky.

00:31:19
Like, well after he meets Rocky. Well, I was going to say at

00:31:21
least they captured that because if you move away from that and

00:31:24
then you neglect the exact timing where Andy Weir timed it

00:31:29
perfectly, so did the screenwriters.

00:31:31
When you learn that he said no to the mission, it's like 3

00:31:33
quarters, 80% through. You learn he backed out, he

00:31:36
weaseled out. He literally ran for his life as

00:31:39
I think that was a cheap gag. But anyway.

00:31:42
The fact that he was really ran out of there and he.

00:31:44
Really ran out of the office. Yeah.

00:31:46
Which again, which is funny. It was funny.

00:31:50
Was it the time to be funny? The the increase of of of.

00:31:53
Humor. Yeah, but just to to put a bow

00:31:55
on it, you had to capture the fact that Rocky was just calling

00:32:00
him brave like he was like Ryland Grace, the bravest person

00:32:04
I know, like the greatest humor, which was another funny joke.

00:32:07
You're the I'm the only human you know.

00:32:08
Great. That humor landed for me.

00:32:12
But you had to capture the fact that right when Ryland was

00:32:14
grappling with am IA coward, a loser, a failure at the same

00:32:19
time as Rocky, putting all of his trust in him and saying

00:32:22
you're I'm inspired by you, like Rocky had to be inspired by him,

00:32:26
or else maybe they wouldn't have come as far as they did.

00:32:29
And Ryland's like, is that fake? Is that the real me?

00:32:32
Or was the real me when I what? What did you guys think about

00:32:36
the fact that they did hold true to the fact that Rocky saved

00:32:42
Ryland, but in the book he turned right around and saved

00:32:45
well and then nearly killed Rocky.

00:32:48
And there's that whole incubation period where he's

00:32:50
working on stuff. All Rocky's out.

00:32:52
But you know, Ryland sustained injuries.

00:32:55
He, you know, constantly did really brave things in on the

00:33:00
the ship. You know, when he was with Rocky

00:33:02
or without, he got hurt. He put himself in dangerous

00:33:06
situations. And they showed a little bit of

00:33:07
that in the movie, but it felt like it was such a big reveal in

00:33:12
the book that he like, you knew that he didn't want to die.

00:33:16
But the fact that he had he basically had to be hot,

00:33:19
essentially hog tied and, you know, throw it into the ship.

00:33:22
And like she planned it all out that he was going to, you know,

00:33:25
he'd wake up. They'd be like, oh, you know,

00:33:27
we'll help you do this mission and blah, blah, blah.

00:33:30
What did you think about the fact that, like, Rylan didn't

00:33:32
end up saving Rocky, like Rocky did the the saving?

00:33:36
And that was sort of that. That might be my biggest

00:33:39
disappointment of the film. It was a.

00:33:42
Little Murky. It was a little murky, like it

00:33:45
didn't quite, you know, obviously it's a it's a huge

00:33:49
moment when Ryland passes out and then Rocky decides to like

00:33:53
essentially sacrifice and he's willing to sacrifice himself to

00:33:57
save Ryland. And I don't know if it's just

00:34:02
the fact that, like, you know, we couldn't get into too much of

00:34:05
the details of, you know, Rocky's biology or, you know,

00:34:10
that kind of stuff. Mike, last night, you kind of

00:34:13
mentioned to me that you thought it was kind of weird how Ryland

00:34:16
just kind of moved on and, and felt that like, does he think

00:34:21
Rocky's dead? Does he think Rocky's gonna come

00:34:23
back? Is he just in a coma?

00:34:25
Like, I think if you know, in the book that Rocky undergoes

00:34:29
these long and very precisely exact periods of resting time,

00:34:34
you can kind of like, oh, all right, he just needs like an

00:34:38
extra long rest. And that's going to be like, you

00:34:41
know, we don't know when it's going to happen because, you

00:34:43
know, who knows already in like resting time.

00:34:48
I I don't know if they were trying to play it up.

00:34:49
That did make you think that Rocky died and that, you know,

00:34:54
Ryland needs to continue on no matter what.

00:34:57
Does, you know, make the sacrifice, not be in vain, that

00:35:01
kind of thing. That I don't know.

00:35:02
There's a. Little murky there.

00:35:04
Yeah, I. Think so.

00:35:04
I think I yeah, no good. I was just going to say you hit

00:35:09
the nail on the head there, Chris, because I honestly was in

00:35:12
that chair thinking, holy shit. I think they might have just

00:35:17
killed Rocky. I really thought I for a flash

00:35:21
across my mind, I thought that might be the change is like I

00:35:24
know they're going to need some sort of dramatic change from the

00:35:26
story just to keep even book readers interested.

00:35:29
I was like, did they go that old?

00:35:32
So at first I'm like, let me see how this plays out.

00:35:34
I might actually like this if there's some heavy stakes

00:35:37
consequences. If they're like going whole hog

00:35:38
into the stakes of Rocky sacrificing himself to savor

00:35:42
Island, ergo save both their species, right?

00:35:45
I'm like, whoa, I don't know if this is going to work, but let's

00:35:48
see what happens. And no, they just decided it's a

00:35:50
long rest and a nap and he'll just wake up with no, he was

00:35:53
moving. He got rid of the constant.

00:35:54
He was moving a little bit. He was moving a little bit

00:35:57
after, you know, after he, you know, right after Ryland got up,

00:36:00
Rocky was still moving like a little bit and then he

00:36:02
collapsed. So it's kind of so did Riley, I

00:36:03
don't think. Just need to I don't believe

00:36:05
that he's one pane of glass and then all of a sudden he made a

00:36:08
xenonite bubble and everything's fine.

00:36:09
So that was an OK. All right.

00:36:11
So now you're entering into the the we're entering now fully

00:36:14
into how does science work in movie?

00:36:17
Because yeah, it was hand WAVY. OK, it was very yes, it was

00:36:23
which which I yeah, it was positive, yes.

00:36:26
So I OK, so several things, right.

00:36:30
How did, and you you sort of explained it last night, Mike,

00:36:34
but how did Rocky kick out of the his little ball, right.

00:36:39
If that's Zena night and then ostensibly the connections are

00:36:43
very strong as well, can you just Kick It Out?

00:36:45
I know he's very strong and I know the pressure is big in

00:36:47
there, but when that had been a bigger deal when they were

00:36:51
collecting samples near Adrian, like, it took me a little bit

00:36:57
out of it in the movie that it felt like stunt stick that you

00:37:01
can do on the top. Of the Burj.

00:37:03
Khalifa right in Earth gravity because if it would have taken

00:37:08
us out of the movie if the suspense was, you know, 2001

00:37:12
space Odyssey action where you're floating around, you

00:37:15
know, science accurate. They had to have him falling.

00:37:18
You know, the collection bit flew over here and he had to

00:37:21
like fly down. And yes, there was gravity on

00:37:24
Adrian. Yes, it should have been pulling

00:37:25
them in that direction, but all of the action was him falling.

00:37:28
Similarly when he got into the airlock several times, they did

00:37:31
do it properly a few times, but in constant of action he just

00:37:35
like jumped in things like like there was gravity when at those

00:37:38
points there was not. These are.

00:37:40
At one point he like throws the ball in.

00:37:42
And I was like, yeah, I was like, wait, that, that that was

00:37:46
the moment. I was like, wait a minute.

00:37:47
This is There's that much gravity there, like there's that

00:37:50
much gravity, no. No, no, the book made a huge and

00:37:53
again, I know it's a movie, but the book made a huge deal about

00:37:55
like these are the different gravity.

00:37:58
Look, I'm chilling at 1.5 and that's fine.

00:38:02
Or, you know, in yeah, it it. So they didn't make it.

00:38:05
They made not as big a deal about the pressure.

00:38:07
And then because ravity, because like the rocky's gravity is so

00:38:10
different like that, that was the other like big thing.

00:38:12
It's not just like the air and the ammonia.

00:38:14
It's like the gravity was. It was like a huge difference.

00:38:17
And the and just general pressure, the the pressure, the

00:38:20
pressurized air of the atmosphere that you have, which

00:38:23
was the reason that Ryland should not have been able to go

00:38:26
to the ship. Although I do appreciate what

00:38:30
they did in the movie, just show how Ryland could have.

00:38:32
Gone on the ship so I and this is so you just read it in my

00:38:38
mind. Did he, did he go to the ship?

00:38:40
Because I thought he did. It didn't happen on the book.

00:38:43
No, in the book. This is why I was a little bit

00:38:45
hazy that I was checking my memory in the in the seat while

00:38:48
I was watching the movie last night.

00:38:53
So at the end of the movie, near, well, not the end, but

00:38:56
near the climax of the movie where it goes to save Rocky,

00:38:59
does he doesn't enter, does he? He goes off to the outside.

00:39:04
I think he attaches to the ship after his float, right?

00:39:07
Enter his lay a moment. Yeah, exactly.

00:39:09
But he never enters his. Lay.

00:39:11
You yeah, yeah, right. And so Mike, you mentioned, you

00:39:15
mentioned you mentioned before how you liked the design of the

00:39:19
of rocket ship and I did too. It was very reminiscent of the

00:39:24
the little bobbles that he created, right.

00:39:27
I don't know if that's what I saw in my head when I thought of

00:39:31
his ship, but it kind of doesn't matter because we never got to

00:39:34
see the inside of the ship because there's no way, as far

00:39:37
as we knew, food that Ryland could actually get in there, you

00:39:40
know? And that was part of the

00:39:41
problem. So he didn't go in in the book,

00:39:44
but he was a he did jump to it and was attached to the outside

00:39:47
of it to signal to Rocky. Yep, yeah.

00:39:49
I thought it was cool though, to go inside and it also one it was

00:39:54
just an adventure. It was.

00:39:56
It was so cool to go inside another species ship.

00:39:59
And then I thought it actually helped me buy into the ship

00:40:02
because I had the same thing. I was like, I don't recall rocky

00:40:05
ship being described with particularly these long like

00:40:08
Spires and like so many of these pointy things just sticking out

00:40:11
and I'm like, what the heck is the purpose of these?

00:40:14
So I was like, I'm just going to believe this is the ship because

00:40:17
they must have some idea. But then when Rocky was on the

00:40:20
ship and it was almost like playing chords with those long

00:40:22
strings and because it's a sound based species, the Iridians, all

00:40:26
of those long narrow structures are about frequency, amplitude

00:40:30
and and sound waves. And maybe the ship like

00:40:33
insulates sound waves or does something.

00:40:35
Once we were in Rocky ship and saw that the way they decided to

00:40:38
build it was directly related to their language of sound.

00:40:41
I was like, boom, that ship's stellar.

00:40:44
Am I wrong? Rocky was like playing chords on

00:40:46
on his ship, kind of. Yeah.

00:40:47
That was suitable. As soon as they go in, every

00:40:50
single thing to me had a distinction of sound and music.

00:40:55
And cuz the species, the language is very tonal, right?

00:41:00
It's all tonal. But to me, the thing that they

00:41:03
got the most correct and the thing I think they had to get

00:41:06
correct was the arm on the on the outside.

00:41:10
And like the, you know, especially when they first meet

00:41:12
and like the fact that this thing is able to grab anything

00:41:15
because we knew it had that like, and that that was like the

00:41:18
big thing. And then that he could precisely

00:41:20
then throw with the stuff back and forth.

00:41:22
Yep. You know, it's, it's interesting

00:41:24
you brought up something about how Ryland is a coward, yet he

00:41:28
does crazy things. And the crazy sacrificial

00:41:32
things, yeah. You know, yeah, yeah.

00:41:34
Just just the fact of like while being not fully there, right,

00:41:39
not having these memory losses and deciding to go on a on a

00:41:43
space walk for for the first time, yeah, you know, is insane.

00:41:47
And to do it multiple times. Yeah, well, that's not.

00:41:51
Brilliant. You're crazy.

00:41:53
That's the brilliance on the line though.

00:41:55
You you don't need just something to fight for or

00:41:57
believe in. You need someone.

00:42:00
Oh, right. What is on what Yao said.

00:42:02
Yeah, yeah, yeah, yeah. That that like he came full

00:42:05
circle with his arc. So not to cut you off Chris, but

00:42:07
that line just hit. When I realized it it it made

00:42:13
perfect sense for where Ryland went from where he was when he

00:42:16
backed out with Strat. If you think like time wise,

00:42:18
when he said no to Strat to where he comes at the end, it

00:42:21
was all because of his friendship with Rocky that

00:42:23
forced him to grow that way. Yeah.

00:42:26
Ultimately, you know, the decision for him to he can go

00:42:29
home like he he could have just he could have just sacrificed

00:42:33
all of essentially the entire species of Iridians and gone

00:42:39
home, saved himself potentially, you know, doesn't know what

00:42:42
could happen. But I think, you know, that's

00:42:45
the beauty of the book is him making that conscious decision

00:42:49
to all right, I can do both. I can't save myself, you know,

00:42:54
because in that moment he has no idea that he's going to survive.

00:42:57
He fully well expects that if I go back to save Rocky.

00:43:01
Yeah, maybe. Maybe I maybe I'm dead and maybe

00:43:04
I've doomed all of Earth. That was the other thing

00:43:07
exactly. I would say that, OK, in the

00:43:10
book and in the movie, there is a case, more so in the book, I

00:43:15
would say there's a case for Ryland being a more exemplary

00:43:20
human that he understands. In fact, you, you mentioned

00:43:23
something not just about his cowardice, but also, you know

00:43:28
who he is. Well, like, actually, Carl said

00:43:30
this to him as they were to tie him up.

00:43:31
He was like, you know who you are, you're gonna be fine.

00:43:34
And again, First off, before I say what I'm going to say, they

00:43:38
got to Carl. I, you know, a character we

00:43:41
weren't asking for, but you know, we, we couldn't live

00:43:43
without. Carl was the man.

00:43:45
Really like Carl in the movie. Loved.

00:43:47
I love that actor from the from the bear.

00:43:49
Oh yeah, yeah. Absolutely.

00:43:50
So when I call him up, I was like, oh, OK, yeah, it's Marcus.

00:43:54
That that that line was true. We did he in the book and well,

00:43:59
let's accept that in the movie. He did things.

00:44:03
He was he never gave up, you know, and that was one of his

00:44:07
defining characteristics. He couldn't leave stuff alone.

00:44:10
He had to do the calculations. He had to do the spacewalk.

00:44:14
He really wanted to get on the ship.

00:44:16
And that's how dangerous it was on the alien ship.

00:44:18
If he could have found a way, he would have done it, But he he

00:44:21
could. He went back.

00:44:24
He saved Rocky after Rocky saved him, even when, you know, it was

00:44:29
he was fully damaged and it took the welfare to heal before he

00:44:32
could get back to work. And he thought Rocky might have

00:44:34
been dead. He tried to save Rocky even

00:44:36
though he tried, you know, he's been doing so was never killing

00:44:38
him. He multiple, you know, he

00:44:41
multiple times after, you know, flew into the face of danger.

00:44:45
He, as you said, you know, nearly sacrificed himself.

00:44:48
Or was it in danger of doing so just to save Rocky when he had

00:44:53
the chance of going home and saving Earth, which is all

00:44:56
anybody to ask him to do? He was possibly the best

00:44:59
representative that humanity could have sent in a lot of

00:45:02
ways. And I don't.

00:45:03
I think it's up to us to accept that it wasn't supposed to be

00:45:06
said in the book or in the movie.

00:45:10
Yep. Yeah, yeah.

00:45:11
I think that's why I wouldn't have been that guy.

00:45:13
That's all I'm saying. Don't.

00:45:15
Say Oh yeah, yeah, yeah, completely.

00:45:17
That's why. But he also.

00:45:19
Wasn't that guy? He wasn't that guy.

00:45:20
When he got on the ship, he wasn't that guy.

00:45:22
I don't. I don't know if he wasn't that

00:45:25
guy, but I think the important thing was he didn't believe he

00:45:27
was that guy. Yes, that's it.

00:45:29
He was that. He always had it.

00:45:30
Inside of him. But he did, Carl.

00:45:32
Believed it. Yeah, Strat believed it.

00:45:34
Carl believed it. Rocky believed it.

00:45:36
The thing is, Rylan Grace didn't believe it.

00:45:38
And I don't want to go on a soapbox about this, but I think

00:45:41
the teacher part of it makes so much sense to me to bookend it

00:45:45
with that because the ending. First off, when I read the book,

00:45:49
I was tearing up in the theater when I saw that was the cut to

00:45:53
black. I was like, thank goodness they

00:45:55
did that. The baby Iridians.

00:45:57
It was. It was so perfect.

00:45:58
But I think the teacher thing adds something else of you could

00:46:02
be the whole book is about science, technical expertise.

00:46:05
So you could play up this idea. He's the best scientist you can

00:46:07
have Strat going. He's the best scientist for

00:46:09
this. You can have Carl going.

00:46:11
Come on, man, do the experiments.

00:46:12
You're so good at the science of it all.

00:46:14
You could have Rocky saying, wow, humans, great scientists,

00:46:17
we good engineers, but you good scientists.

00:46:19
But it wasn't about that. It was about being the right

00:46:22
person, having the mindset, overcoming the challenges,

00:46:27
having the resiliency. You had to have all those

00:46:31
qualities to save earth and any one of those qualities was

00:46:33
lacking or there was too much self doubt and we would have

00:46:36
lost. And I think Strat knew the the

00:46:38
only way we lose is if Ryland doesn't realize who he is.

00:46:42
And Carl said Carl saying that at the last minute was an

00:46:45
incredible piece of dialogue to write because that just shows me

00:46:49
the Screenwriters Room knew the story, even the things in the

00:46:52
story that were subtext, the things in the story that were

00:46:55
not direct lines, because it's easy to adapt a book and just

00:46:59
borrow a few lines here and there, fill in the rest, have

00:47:02
ChatGPT write it, You're good to go.

00:47:04
A line like that shows me there's so much more work being

00:47:07
done because you're you're getting the subtext right.

00:47:10
What Andy Weir's subtext was that was never explicitly said.

00:47:13
Strat's like you're the most brave, courageous person who's

00:47:15
going to make a good friend and want to sacrifice yourself for

00:47:17
them. That didn't need to be said.

00:47:19
That needed to be showed. And it was shown for two hours,

00:47:23
and it ended in this beautiful scene.

00:47:26
And so I just have to say the teacher part of it all shows

00:47:28
that to me. Because let's say on paper, you

00:47:32
get the best reviews, you write the best lesson plans, you come

00:47:34
up with the best slideshows that don't mean squat if you walk

00:47:38
into the room. And you can't build

00:47:40
relationships. You can't be a good listener,

00:47:42
right? It's not a sage on the stage.

00:47:44
It's a guide on the side. That's an old teacher.

00:47:46
Side I haven't heard that in a. While, and I think that's an old

00:47:49
teacher line, I think Ryland Grace was so good at being the

00:47:53
sage on the stage and did not believe that he was the, the

00:47:57
wisdom bearer for these children and how much they looked up to

00:48:00
him. They they captured with the

00:48:02
cameras how much these children are hanging on every word.

00:48:05
But to him, he's like, I'm not good enough.

00:48:07
I'm a washed up doctoral candidate.

00:48:09
Scientists hate me. So it's like it doesn't matter

00:48:12
how good you're doing the things, the technical aspects,

00:48:15
if you're not having that reciprocal relationship,

00:48:19
learning from each other and growing to believe in yourself

00:48:22
and others as a team, you're going to fail the mission every

00:48:24
time. And I think putting that in as a

00:48:26
teacher and ultimately, why save the Iridians?

00:48:30
So the baby Iridians have a future, you know, go back to

00:48:33
Earth and save Earth, save the humans.

00:48:35
But there's so much more to it than that.

00:48:36
And I think if you didn't have a teacher in that, maybe you

00:48:39
wouldn't have cared that much about that other species.

00:48:40
Which is, honestly, I didn't think Ryan Gobson was going to

00:48:43
be able to pull that off, but he did.

00:48:45
He did. You know what's interesting, I

00:48:48
just listened to this podcast. Highly recommend listening to

00:48:52
Derek Thompson. He does the plain English

00:48:55
podcast on the Ringer. So he had this one about

00:48:59
placebos and this idea of, you know, how do placebos work and

00:49:05
then that kind of stuff. And he referenced this one study

00:49:08
about that was done back when you could do any study you want.

00:49:11
Now, you couldn't, you could not repeat this study.

00:49:14
Now, in short, it was his Doctor Who took rats and put them into

00:49:21
water and then timed how long it took them to die.

00:49:27
And in the beginning, the rats would swim for about 15 minutes.

00:49:34
And then he wanted to see if he could adapt the rats to see if

00:49:37
they could go longer. And he what he would do is he

00:49:41
would he would take the rat right when it was about like you

00:49:43
would time it to like 1514 minutes, 30 seconds.

00:49:46
He would take it out, give it a little bit of a breather, put it

00:49:49
back in. And he would do that a couple of

00:49:50
times. OK.

00:49:52
And initial like hypothesis is like, oh, if we could just

00:49:57
double the amount of time, we could triple the amount of time

00:50:01
that, you know, go from 15 minutes to an hour like that

00:50:04
would be amazing. Because then if we, if we could

00:50:07
then translate into, you know, turning a human into, all right,

00:50:10
you have this within you, you could, you could double your

00:50:13
productivity. That's great.

00:50:15
Guess how long the rats actually were able to do?

00:50:18
I bet they went forever. 60 hours.

00:50:21
Oh my God, I was going to say days.

00:50:24
Wow. They all in the the the moral of

00:50:26
the study is that the rats always had it in them to survive

00:50:30
for 60 hours. They just gave up.

00:50:34
OK, This is why our. Brains are wired to self

00:50:39
preserve and to not like our default is I can't do it.

00:50:45
I can't do it. I, we, we can't sustain.

00:50:49
And I think that this this movie does a great job of showing that

00:50:52
like you can, everyone has it in them if you're put in the right

00:50:57
situation and you are are forced to use those things and rise to

00:51:03
the occasion. And like, I don't know, I I

00:51:06
just, I thought. It was interesting, like like,

00:51:07
like, no, I like that take. I like that take.

00:51:09
That's a really good, that's a really good message out of the

00:51:12
story. It's funny though.

00:51:15
I think it's also a very appreciably human thing that

00:51:20
when intellectually presented with, look, you're going to save

00:51:23
the world potentially, that's what we're sending you to do,

00:51:26
but you're going to die earlier than everybody else.

00:51:29
Pretty much everybody on the planet was like, not me.

00:51:32
And and even they got my best, best qualified after some people

00:51:36
move up to do it. You know, he was like, I don't,

00:51:40
I don't want to, I want to teach the children.

00:51:42
And I love that. She was like, it's not about the

00:51:44
children. You just, it's not.

00:51:46
You don't have any. It's not because it was truly

00:51:48
about the children, like she said.

00:51:49
It was about the children you would get on right now.

00:51:51
Yeah, yeah. Yeah, you saved them.

00:51:54
And The thing is, he did. We know he thought that, right?

00:51:56
We know he thought these children are going to be, you

00:52:01
know, they're going to go through some of them go through

00:52:02
the worst in it, right? At least in the supposed to do

00:52:04
that. Question, do you think Ryland

00:52:08
went home? So I was is that's also a change

00:52:12
from the book, right? They don't mentioned, they don't

00:52:15
mention at the very end that oh, the Hail Mary is ready to go

00:52:18
home. No, that's a very big change and

00:52:22
and I had 1/2 spoiled something for Craig in that I said to him

00:52:26
on the car ride to the movie. I was like, I saw some rumblings

00:52:29
that they made a major change about the ending.

00:52:33
And so my mind was going a million places of like, do they

00:52:36
return to Arid? Do they even have the

00:52:38
schoolchildren? Does he get to teach them?

00:52:39
I was like, are they going to cut that?

00:52:41
But I think what the person meant about the major change was

00:52:44
that line that the Aridians are trying to get Rocky ship back up

00:52:48
and running to go back to Earth. So that was such a brilliant

00:52:52
line to drop because a lot of conclusions are drawn when we

00:52:56
learn that The Beatles made it to earth in the book.

00:52:59
I almost like that reveal more. We talked about that Craig of I

00:53:03
like the book. We don't see Strat.

00:53:06
All we learn is that the sun is no longer dimming.

00:53:09
So it kind of leaves the open-ended question of why is it

00:53:12
natural? Did The Beatles get through?

00:53:14
Did Strat get the information? And actually act on it.

00:53:18
Here we get to see Strat on the icebreaker and they're ready to

00:53:21
experiment. So it's like that was another

00:53:23
way of showing us The Beatles made it home.

00:53:26
And I think because they lean so heavy into Strat in the first

00:53:29
act of this movie, you kind of don't see her for a while except

00:53:33
for the flashbacks. I thought to get to modern day

00:53:36
older Strat was a really smart decision visually to actually

00:53:40
bring her back in, to establish that continuity.

00:53:42
But the one thing that missed in the book was that Rocky got to

00:53:46
tell. Yeah.

00:53:48
The sun is alive and I thought that was so important to Rocky

00:53:51
to be the one to bring the be the bearer of good news that it

00:53:55
was replaced now with his ship is almost ready.

00:53:57
I thought Rocky still got to play that role of going into

00:54:00
Ryland's bubble and telling. I do think they they did a

00:54:04
little bit switch it up on us though in the end of the movie,

00:54:08
because I think by the beach. I think you and I felt the same

00:54:11
way. We were like, oh, he's, he's

00:54:14
Rocky on Earth. Because Rocky was in a suit.

00:54:17
He was in the Yeah. He was in the suit, other minor

00:54:20
beef on the ship when they had the little not holiday effect of

00:54:24
the little screens that showed, you know, the environments on

00:54:26
Earth. Rocky couldn't see that.

00:54:29
You can't see that they. He wouldn't need, he wouldn't

00:54:32
need, he wouldn't need the camera.

00:54:34
With the device, the pointer device, the camera.

00:54:36
I don't know. I don't know it.

00:54:38
Translated he they at least OK, here's another here's a positive

00:54:42
spin on that. I could see why that didn't work

00:54:44
for you and it was gimmicky and hand WAVY to say, oh, he just

00:54:47
carries this little device that translates visuals on a screen

00:54:49
into a sound board, if you will sure it was a little hand WAVY,

00:54:54
but at the same time we got rocky vision.

00:54:57
Rocky vision when? I love that.

00:54:59
I did love that That worked. That actually looked better in

00:55:02
the movie theater than it did in my head.

00:55:04
I actually completely appreciate that a lot.

00:55:05
I was like, oh, yeah, that works.

00:55:07
Yeah. Rocky Vision, when we saw it, I

00:55:09
was like, it's reminding me of those needle boards as a kid

00:55:12
where like you put it on your face, you push up the needles

00:55:15
and it makes this and it perfectly almost had sound to it

00:55:18
when we were in Rocky Vision. It was like I'm seeing some

00:55:20
sonar sound, visual echolocation video.

00:55:24
Yeah, well done. Yeah.

00:55:25
Yeah, hats off. Yeah, and it and it was a call

00:55:26
back to the beginning of the movie when he's doing the what

00:55:30
was the No, he had the mic and he used the sound waves to

00:55:35
agitate the sand, sand on the. Exactly.

00:55:38
Yeah, there's a science. There's a science of that.

00:55:41
It's the stupid Lord of the Rings Amazon remake that they're

00:55:45
doing. The opening sequence is

00:55:46
Cymatics. That's it.

00:55:48
CYMATICM. OK, A Cymatics, the science of

00:55:51
the sound waves basically affecting natural phenomena.

00:55:55
So yeah, the fact that they opened.

00:55:56
With that is cool. I can't do it.

00:55:58
Yeah, don't do it. Don't do it.

00:56:00
It's a disaster. Yeah, this is this is what I

00:56:02
heard. It's a disaster.

00:56:04
Look, this movie, I, I recommended it several times

00:56:07
today. It, you know, what you guys said

00:56:12
about the book holds true in the movie.

00:56:15
It is about hope. It is about like, you know,

00:56:17
dedicate it. It's not as like sweeping as it

00:56:20
maybe could have been. I think people were comparing it

00:56:23
to Interstellar. I don't know about that.

00:56:26
I think the directors did a marvelous job.

00:56:29
I felt like in Interstellar they did a, a bigger job of putting

00:56:34
the, the stakes for Matthew Mcconaughey's, I guess, because

00:56:39
you got to see more of the corn light, the corn fields like the,

00:56:43
the sickness they purposely chose not because in the book we

00:56:47
don't see any of that because we're in, we're in space when

00:56:50
all that is potentially going on, right?

00:56:52
The, the only glimpse we got of it was the icebreaker.

00:56:55
So we're assuming that, you know, the Earth is like, kind of

00:56:58
icing over, Yeah. Wars they.

00:57:01
We have the solar panel guy. The company wants to, you know,

00:57:04
solar. Panel aside, the Arab South

00:57:05
African. Yeah, yeah, yeah.

00:57:06
He's not. He's not that out.

00:57:08
If there's something you're gonna cut, that's fine.

00:57:10
Yeah, yeah, yeah. Solar panel guy.

00:57:14
Dimitri. I don't know.

00:57:17
In place of Dimitri. We got there It is, I think.

00:57:22
Dimitri. Was he supposed to be replaced

00:57:24
by that the Indian guy essentially like in?

00:57:28
An opening meeting. In the meeting and he he was

00:57:31
kind of like there throughout like a little bit, yeah.

00:57:33
Yeah, I I thought they at least captured that there's some

00:57:37
humanity on this global council that's about saving the world.

00:57:41
And it's like they're going to embrace a quirky, outside the

00:57:43
box Ryland kind of dirty looking, you know, dishevelled

00:57:48
guy instead of they're just going to be all buttoned up

00:57:50
around this table. I thought the fact that that guy

00:57:52
played the role of a Dmitri who kind of on the same page as him,

00:57:56
I thought at least it was like I said before, they did just

00:57:58
enough fan service that even the things they cut, they had a

00:58:01
proper nod to, right? They're like that.

00:58:03
We. Understand you want to

00:58:04
understand that the thing by the.

00:58:06
Way. We were in the theater last

00:58:09
night. We were sitting next to a couple

00:58:12
or a couple two months left and Oh yeah, the the woman of the

00:58:15
couple, you could tell she had read the book, like she was

00:58:18
reacting to all the stuff and she'd be like, oh, you know,

00:58:21
when something was different. And I was like, OK.

00:58:22
And when we got up, she you mentioned something about the

00:58:26
voice actor for, for the audiobook version, Ray Porter

00:58:31
and and and, you know, true to porn.

00:58:33
Like that's what she did. She had done the audio, the

00:58:36
audiobook version. You had a theory about the

00:58:39
voices of bike. Yeah, at least in a cameo.

00:58:43
I'm really curious if they did it, if they did not do it, why

00:58:46
they did not do it. I thought a Ray Porter cameo

00:58:49
would have made a lot of sense somewhere.

00:58:51
I don't know contractually this and that.

00:58:53
I was trying to look in the credits because they did credit

00:58:56
the failed Rocky voices. Each of the failed Rocky voices

00:58:59
that they did, I couldn't, I think.

00:59:02
I don't know. I was trying to look, I missed

00:59:05
it, but I was wondering if Ray Porter was somewhere on that

00:59:07
list because I didn't hear it when they were doing the failed

00:59:10
Rocky voices. I wonder if they got him

00:59:12
anywhere else because he's deserving of all the reward, all

00:59:16
the awards for that audiobook. It it should be award-winning.

00:59:19
It's the textbook example of how to do an audiobook.

00:59:21
They even, I think got an award for sound engineering the way

00:59:25
they did Rocky's voice in the book 'cause they did a digital

00:59:28
voice for him. Everything about the audiobook

00:59:30
is top and best in class. I thought some nod to that would

00:59:35
have been nice. So maybe it's in there.

00:59:36
It's an Easter egg I haven't seen, but if not, I'm really

00:59:39
hoping Ray Porter somehow is getting credit.

00:59:41
I do believe he's been on the media tours.

00:59:44
Ray Porter definitely did some interviews with people who have

00:59:48
been touring for the movie. So at conferences and things and

00:59:52
they give out press interviews and short snippets to all these

00:59:55
different outlets. I know he was involved in some

00:59:57
of that. So thankfully they're they're

01:00:00
including him on this masterpiece of a story because

01:00:04
the audio book can't be diminished.

01:00:05
And the the people next to us, clearly when I mentioned Ray

01:00:08
Porter's name, we're all excited to jump in and say, Oh my God,

01:00:11
he's so good. And the other woman was like, I

01:00:13
hope he was in the movie somewhere.

01:00:14
I didn't hear him, but I hope they put his voice in.

01:00:16
If you go to the IMDb in the Wikipedia it says that Ray

01:00:19
Porter is one of the other voices of Rocky.

01:00:22
He. Was.

01:00:23
There we go. There we go.

01:00:25
I was trying in the moment to listen.

01:00:26
I didn't quite, I, I, it kind of slipped my mind, but I'm so

01:00:30
happy about that. Well, I cannot wait to watch

01:00:33
this movie again. Yeah, no, that's the thing.

01:00:35
I, I, I, I'm looking forward to. I'm looking forward to seeing it

01:00:40
with people and then what they think.

01:00:42
I do want to, I do want to see it with people who haven't read

01:00:45
the book, though. Just, you know, going in French,

01:00:48
you know. I was going to say, Craig, I

01:00:49
think it was one of the first things.

01:00:51
Once we got to the car coming home from the movie, I said to

01:00:53
you, I'm really sorry, sorry, not sorry that I recommended the

01:00:57
book so hard because I pushed the book so hard on Craig.

01:01:00
I said, Craig, we're going to go see this movie.

01:01:03
You must read it. And you only had like 2 weeks.

01:01:05
I was like, dude, read it and then I you had a lot going on.

01:01:08
Then I reminded you again, I was like dude, read it, whatever.

01:01:11
You're doing you're right next story I'm watching it avoid you,

01:01:14
but. I feel bad about that now

01:01:16
because I loved the book so much that I wanted my recommendation

01:01:20
to you and others was read it first only so that you can have

01:01:25
the moments. No, but that's the way to do it.

01:01:27
That's the way to learn. About Astrophage, all of these

01:01:30
moments I enjoyed so much as a reader.

01:01:32
I wanted people to have that. But here's the crazy thing,

01:01:34
after seeing the movie, I might change my tune on that because

01:01:40
the reviews that I've seen online who are saying better

01:01:43
than Interstellar, because people are saying that best

01:01:45
science fiction maybe of all time, definitely the last 50

01:01:49
years. All the people who are saying

01:01:51
that I think are non book readers.

01:01:53
So I think this movie probably, if you don't know anything about

01:01:57
the story, hits so much harder that that I kind of feel bad

01:02:01
about pushing the book. I'm glad you had the experience

01:02:03
of reading it like I did and enjoying it so much.

01:02:05
No, I really like the. I think the people.

01:02:07
I think the people who didn't know the book and saw this movie

01:02:10
are having almost a mystical experience, an orgasmic

01:02:13
experience in the theater. Well, I I yeah, I I.

01:02:16
Think that's why I want to see it with just some people who

01:02:19
haven't read the book because I want to see how they take it.

01:02:21
I will say trying to divorce myself from the book.

01:02:25
The portrayal of not just the interaction between the two, but

01:02:30
literally Rocky himself, like how they they handled the voice,

01:02:34
how they handled his human voice, how we got around how we

01:02:38
use stuff, how we fix things, how we handled that just.

01:02:42
But also that he was kind of an asshole, you know, you know, in

01:02:46
an equal parts of, you know, to be a foil to to Ryan Grace's

01:02:51
asshole. I I thought that was great.

01:02:54
Yeah. You don't.

01:02:54
You don't need to read the book for that.

01:02:55
That's. Yeah, I think that's totally

01:02:58
enjoyable. So true to thriller pod form, we

01:03:02
often have a scorecard where we rate and rank the books we read.

01:03:07
Let's try to do some version of that.

01:03:08
So usually we call it best action sequence because the the

01:03:11
spy thrillers we read always have a bunch of action

01:03:14
sequences. I don't want to say that here, I

01:03:15
just think best sequence period overall.

01:03:18
What was your favorite thing that they put on screen to enjoy

01:03:21
as a visual feast? So best scene overall.

01:03:26
OK, I'll say, and this is probably not a popular one, when

01:03:33
Strat and Ryland are talking and then the shockwave comes behind

01:03:40
her shoulder and he doesn't have a chance to say anything before,

01:03:45
you know, they hit because we know that moment is coming.

01:03:49
We the book readers know it's coming.

01:03:51
But I really do feel that if you like we were just talking about

01:03:54
if you're not and you have being cold that the whole tender of

01:03:58
that that scene was kind of tender and kind of, you know,

01:04:02
like they were sort of connecting.

01:04:04
And then she's looking at him still sort of smiling, not

01:04:07
knowing that destruction is coming in that like two of her

01:04:10
crew people three days before launch had just blown out.

01:04:13
So that was my favorite scene. That's one of those scenes where

01:04:16
I feel bad if you know the book, because I think moviegoers for

01:04:18
that when it explodes, for when Rocky taps the glass, is this

01:04:22
going to be like Alien VS Predators?

01:04:24
Is the, you know, is this the worst thing that ever happened?

01:04:27
Are are, is all this going to go South?

01:04:28
Is this going to become a horror movie?

01:04:30
You just don't know. And then the canister, right?

01:04:33
Like was that canister a bomb? Was it going to blow up the

01:04:35
ship? Like being on the edge of your

01:04:37
seat in the theater is to me, as good as I was on the edge of my

01:04:41
seat with the book. So I think either book or movie,

01:04:43
you're going to have that same feeling.

01:04:45
It's just your preference of which one you want to get it for

01:04:47
and enjoy it I think. I think if you read the book,

01:04:50
you you knew that moment was coming.

01:04:51
You didn't know it was coming right then.

01:04:53
So there was a moment like, oh, it's happening in the if you

01:04:57
didn't read the book, you were like, what's happening?

01:04:59
This is, you know, like watching a.

01:05:01
Soap opera. When they were getting all soft,

01:05:03
I knew it was coming. When they were getting all soft,

01:05:05
I was like, OK, boom, yeah, yeah.

01:05:10
After I stopped seeing. Yeah, that's tough.

01:05:18
You know, I, I feel like I thought that the scene on

01:05:23
Tauseti, you know, capped, like, you know, the, the big climactic

01:05:28
scene was done very well, minus the little, the little bits of

01:05:35
which I think they're they played a little fast and loose

01:05:38
with, you know, space walking and and gravity.

01:05:41
UN unlike some other, you know, good science fiction movies that

01:05:46
I've seen, like, you know, space Odyssey or interstellar or even

01:05:51
the expansy, you know, expans. So that that was good.

01:05:59
I don't know. Ultimately, I I think the my

01:06:04
favorite scene of the book was or the the book, my favorite

01:06:07
scene of the movie was the first contact.

01:06:10
You know it's. Yeah.

01:06:12
That seeing like what in my mind that, you know, conical bridge

01:06:18
come down and you know, he creates that wall with different

01:06:24
panels. Just try to see like which area

01:06:26
he could see through, tells him to go back, comes back.

01:06:28
And then, you know, I and I felt like Phil and Chris Lord or Lord

01:06:35
and Miller are like did a good job of interjecting their

01:06:38
comedic background and, you know, having a, a slight nod to

01:06:42
like you said, that thriller, you know, horror S thing.

01:06:46
Like, you know, with, you know, is this guy going to come at me?

01:06:50
But then quickly like turning it on its side and and realizing

01:06:53
that, no, that's not what this is.

01:06:54
So to me like, and and that in the book was also like one of

01:06:59
the most special moments, like the first contact of Ryland with

01:07:02
Rocky is just this, this huge. Yeah.

01:07:06
Yeah, and it really disappointed me that they spoiled that in the

01:07:10
freaking trailer. See, OK, so I so I want to I

01:07:13
want to tell you what I told Mike.

01:07:15
I went to blurred Con a few weeks prior and there was a huge

01:07:22
panel, you know, downstairs advertising this movie.

01:07:25
In fact, I realized belatedly they had pre screened it there

01:07:29
for VIP ticket holders. So I mean, I guess I could have

01:07:33
seen it that, but but, you know, somebody there said, oh, don't

01:07:40
watch the trailers. They're giving away too much.

01:07:44
And I didn't realize at the time the reason they were telling me

01:07:46
that is if they saw the movie after having seen the trailers

01:07:49
and they were like, oh, yeah, that was too much.

01:07:51
I didn't want to say they didn't say all that.

01:07:53
I just took them at their word. And as a result, like last night

01:07:57
when we went, I was like, oh, I haven't actually seen any

01:08:00
trailers because I've been avoiding them.

01:08:02
And as you're walking there, Mike was like, oh, you know,

01:08:05
hopefully, you know, you won't you, you your first head on

01:08:08
Rocky will be good or what you thought or whatever.

01:08:10
And it was, I have to say, I don't know what I was expecting.

01:08:13
I mean, I do know what I was expecting.

01:08:15
And that was pretty much it. I think I had a different take

01:08:18
on the legs for some reason in my head.

01:08:20
Yeah, a little bit, yeah. Yeah, but it all fit together

01:08:23
like and like, you know, it all worked.

01:08:26
Like I, in fact, I know Oscar season is, you know, happening.

01:08:30
So we have to wait another whole year.

01:08:32
It'll be interesting to see this move be gets anything for for

01:08:37
that in particular the fact that they wouldn't with what was

01:08:40
largely looked like puppetry. You know, old school old Jim

01:08:44
Henson as opposed to it didn't. Look CGI.

01:08:47
It didn't look CGI. Probably was.

01:08:48
No, it wasn't there. Probably it wasn't.

01:08:50
It largely wasn't. Yeah, they did add CGI on a on a

01:08:53
few. It was almost like a CGI overlay

01:08:55
on what was actually puppet based, and everything that was a

01:08:59
reaction between Ryland and Rocky was the puppet.

01:09:02
So even if they would put a CGI overlay or touch up on it, they

01:09:05
acted it and they got Ryland, they got Ryan Gosling to act,

01:09:08
talking to a puppet and interacting with a puppet.

01:09:11
There was no green screen, no green screen done at any point

01:09:15
in this film. They had a full on ship.

01:09:17
There was not a single green screen moment.

01:09:19
And very sparingly did they do full rocky CGI.

01:09:22
Like I think when he's rolling around or jumping around all

01:09:25
excited, probably. They cleverly in most scenes cut

01:09:28
pieces of his body for mostly the bottom.

01:09:31
Of his body doing that for. The puppetry and I think they

01:09:34
had three people. I think Rocky was animated by a

01:09:36
minimum of three people and the main puppeteer was also his

01:09:40
voice. So his voice was also the main,

01:09:43
the main creator behind the public so.

01:09:46
I liked his voice that. Makes it even more impressive

01:09:48
and the voice was great. It does.

01:09:50
That one other thing I wanted to mention, soundtrack unexpectedly

01:09:54
good. I don't know, like I'm not a guy

01:09:57
who goes to get the OSD or whatever afterwards, but like,

01:10:01
there was some good music, you know, it fits the the scenes.

01:10:05
I thought. Yeah, I, I didn't really think

01:10:08
about that going to the theater, but I liked it, yeah.

01:10:12
I saw this I the only options were all like premium screens at

01:10:17
the Regal. So it was either IMAX 4DX which

01:10:23
I I hear is like crazy. Mike said he saw 4DX.

01:10:26
No thank you. I I've heard it's just described

01:10:29
as like the doing this, you know the spider man ride at at

01:10:33
Universal like just for 2 1/2 hours.

01:10:35
And then they spray water at you for no reason.

01:10:37
It's stupid. And then it was there was

01:10:40
another one where like the screen actually goes onto the

01:10:42
sides. It's not IMAX, but it's a it

01:10:46
like a traditional wall. Like where it's wall but then

01:10:48
it. Also gets the curve, but it's

01:10:50
curved like you're getting. Like a fully not not curved.

01:10:52
It's like it's like straight and then you get you actually get

01:10:54
scenes on the side. And then finally, it's this

01:10:58
other one, which is our RPE Regal premier experience.

01:11:02
And it's just supposed to be a better quality camera, the

01:11:07
screen and then also the sound. And like the sound in this movie

01:11:14
was so intense. And in the theater I'm in, like

01:11:16
it's literally shaking my chair. And like, I'm, you know, to me,

01:11:20
this reminds me a lot of Oppenheimer.

01:11:24
Like the sound in that movie, The sound in in the sounds in

01:11:27
their cellar, the sounds in a lot of different Christopher

01:11:31
Nolan movies, even F1. I don't know if I I saw F1 of

01:11:35
the theaters and then like that, that just won best.

01:11:37
Oscars sound. Yeah, yeah.

01:11:38
I think I, I really hope you know, and I, I guess it doesn't

01:11:43
matter because I know sinners came out like in February last

01:11:47
year and obviously they, they were in obviously.

01:11:50
They did Well, yeah. Big intention.

01:11:52
So it doesn't really matter when when movies come out, but I I

01:11:55
truly hope that this movie is at least makes a lot of nominations

01:12:00
for a lot of the below the line, like the craftsmanship, the the

01:12:03
sound, the engineering, that kind of stuff.

01:12:06
If not, I can know. I think I can tell you.

01:12:09
Best supporting Actor. Many awards.

01:12:12
This one's going to be up for. Yeah, he should be the best

01:12:13
importing actor. Rocky is the you know, I can

01:12:17
tell you that the one of the trailers, the the sound in one

01:12:21
of the trailers won an award for the awards that are given out

01:12:25
for trailers. So it's already won an award.

01:12:27
Wow. Yeah, yeah, yeah, already.

01:12:29
I haven't seen that trailer, but it doesn't matter that but yeah.

01:12:32
So yeah, I hope the same really quality stuff.

01:12:36
I mean, I can think about the last The Martian was nominated

01:12:39
for Best Picture. Yeah, right.

01:12:41
And this one better. And this one I.

01:12:43
Think just as good as The Martian, if not a little bit

01:12:46
better. And most of the buzz I'm seeing

01:12:48
on socials and reviews. In particular, high tomatoes.

01:12:51
Tomatoes. Almost everybody's universally

01:12:54
saying better than the Martian. Some people are claiming better

01:12:57
than Interstellar and others are claiming best sci-fi story ever,

01:13:01
ever put on screen. So I'm just like, there are some

01:13:03
hyperbolic things being said and I think you can make arguments

01:13:06
for each of those. I don't think I'd land there

01:13:09
except for it's better than The Martian.

01:13:11
But I do have to say, if I didn't know the book and if

01:13:15
people didn't read the book, I think that's an even more valid

01:13:18
viewpoint because one thing in the book that made me realize,

01:13:22
oh, this is different is that the shoe never dropped.

01:13:24
Chris, do you remember when we were reading it?

01:13:26
I would text you manically because you finished it first,

01:13:30
and I would text you every chapter I read and I'd go, OK,

01:13:33
it didn't happen yet. It didn't happen yet.

01:13:35
I was waiting for the turn. I was waiting for the villain.

01:13:38
I was waiting for the darkness. I was waiting for the world

01:13:41
ending. Somebody, somebody rigged the

01:13:43
ship or the Iridians had a some, some bad guy had a trump card

01:13:47
programmed into the ship, right? There's a hiding Iridian who's

01:13:49
going to kill everybody and humanity's dead.

01:13:51
I was waiting for the dark forest moment and the fact.

01:13:55
That it really worked. Paranoia.

01:13:57
No, I was I Chris, if you find those texts.

01:14:00
I should I should share those? Things, those texts were

01:14:02
absolutely wild. And then when it doesn't come,

01:14:05
and this is just a heartfelt good-natured story, the best of

01:14:10
our species meets the best of their species and solves a

01:14:13
problem and creates these bonds. That was so refreshing And so a

01:14:17
movie your typical movie theater goer who's already caught up

01:14:21
with Armageddon science fiction world's ending probably already

01:14:26
has personally in their life whatever traumas going on as we

01:14:30
all do or to go into the theater, start to finish and

01:14:34
walk away without having a villain, without having a

01:14:37
through and through villain is so incredible to tell a story

01:14:41
like this without a bad guy. I love it the.

01:14:44
Word bad guy is is masterphage. Afterphage.

01:14:48
No, right. And actually.

01:14:49
And actually, they're not. No, it is.

01:14:51
They're not the Nope, they're not the bad.

01:14:52
Guys, not at all. Masterphage is just trying to

01:14:54
just trying to live. They're trying.

01:14:56
To live, They're trying to survive.

01:14:57
They're hurting us. They're not villains.

01:14:59
Yeah. Yeah, yeah, yeah.

01:15:01
In fact, they're out as we learn.

01:15:04
They're out of their environment, right?

01:15:06
Life eats life, right? If you tell the story from the

01:15:10
perspective of grass and plants and trees, I could tell you a

01:15:13
little something about villains. So it's just like the

01:15:16
astrophages that. We are the villains to like most

01:15:20
of the environment, right? So.

01:15:21
Although, although I thought it was funny, they didn't.

01:15:23
You know what? Now you're making me think about

01:15:25
the environmentalist, the climate scientist in the book

01:15:28
who, like, you know, was like, his biggest contribution in the

01:15:32
end to saving the world was to cause more of what he was trying

01:15:35
to prevent. Yeah.

01:15:39
You know the South African guy, like right?

01:15:41
Like he. Who wants to tile?

01:15:43
The Sahara, I think it was French.

01:15:44
Yeah, Yeah. Or the South African guy who's

01:15:47
in prison, they have to break him out of prison because he, he

01:15:49
like, rode in with an idea and then he was like, we'll just

01:15:52
tile over the Sahara. Which like, OK, yeah, yeah.

01:15:56
That has. Huge ramifications in.

01:15:59
Terms of there's a book coming out by Michael Pollan, who is so

01:16:03
great talking about plants and whatnot.

01:16:05
And this one's about consciousness.

01:16:07
And a big part of why he decided to write a book on

01:16:09
consciousness, as Chris can tell you, I've been obsessed with for

01:16:12
the last number of months is because he had an experience on

01:16:16
psychedelics and he, he witnessed, he witnessed plant

01:16:21
emotion and feeling and he, he, he was communicating with

01:16:24
plants. And what if their consciousness

01:16:28
is just on another realm with a different sense of time?

01:16:31
So what looks like completely non animated low level of life

01:16:36
to us is actually part of another world whereby they're

01:16:39
just on another time space-time spectrum that we can't

01:16:42
understand. And so one of a very established

01:16:45
authors of biology, plant science, dietary, you know,

01:16:49
recommendations of the history of food basically is now writing

01:16:52
a book on implant consciousness. And I'm just like.

01:16:55
OK. All right.

01:16:56
So set that aside for me because I'm actually interested in in

01:16:59
getting into that. Not that I'm recommending him,

01:17:01
but listen to the Rogan episode. So he was just on Rogan and you

01:17:05
you get to hear from Pollen for a couple hours talk about all

01:17:08
this. So it's really good all.

01:17:09
Right. You're making me remember the

01:17:13
discussion that Rocky and Ryland had about, hey, why do we have

01:17:18
the same level of intelligence? Why do we hear at the same

01:17:22
frequency? You know why?

01:17:25
You know, and then rock is kind of like, well, we're here to

01:17:27
meet each other because we have we're at the same level of

01:17:30
whatever. If we were more advanced, we had

01:17:32
a fixed OPS or phage. If you were less advanced, we

01:17:35
couldn't be here. And actually even that Rocky's

01:17:38
people like barely got into space.

01:17:40
They didn't know about radiation.

01:17:41
They didn't know about time dilation.

01:17:43
You know, they didn't, they couldn't see the stars or the

01:17:45
planets until see them. They couldn't, you know,

01:17:48
perceive them that way until they got into space.

01:17:50
They were just in a big hurry, which is why the ship maybe, you

01:17:54
know, some things didn't work. That discussion about like the,

01:17:59
I guess I don't know, the optimal zone for, you know,

01:18:02
communication with an alien life form that is sentient.

01:18:06
You know, that was an interesting exchange that didn't

01:18:08
happen in the movie because there wasn't time.

01:18:11
You know, they really, it was interesting, but there just

01:18:13
wasn't time. That that's similarly, and I

01:18:15
think again, there might have been a nod to it, but the

01:18:18
panspermia of it all, I remember hitting a point in the book

01:18:21
where I go, holy crap, are we related to Iridians?

01:18:24
Was was life basically populated from a panspermia event of we're

01:18:29
related to astrophage like on some molecular biological

01:18:32
evolutionary reason? Like could that be an

01:18:35
explanatory reason for evolution and then ultimately why we are

01:18:38
similar to other planets in other galaxies?

01:18:42
So you know, is it? Possible.

01:18:44
So I'm going to so I'm going to tell you if they I don't know

01:18:46
how much time we have going through this, but Mike, you

01:18:49
know, I am using, I'm using AI to create terrariums.

01:18:55
And Chris, what I mean by that is I have set a set of rules

01:19:01
along with the AI that I'm working with to govern a set of

01:19:06
planets, a set of different worlds and kind of like work

01:19:09
from geologic time through up through like, I don't know, the

01:19:14
industrial age of 1 of the species on the planet.

01:19:16
And then they're in the same system.

01:19:18
They don't know about each other yet.

01:19:20
They're evolving separately. But, you know, one of the things

01:19:24
I was actually thought about a lot is or and I was reminded of

01:19:27
Ball being in the book and then watching a movie was the idea of

01:19:30
like, well, if these systems are connected, they're in different

01:19:34
times. Like one died out before the

01:19:36
other came. But there is sort of a

01:19:38
connection between them. You know, I had to make a

01:19:41
decision. Is there going to be a common

01:19:43
source of life? How did it happen?

01:19:45
You know, how did you know this kind of thing?

01:19:47
And yeah, there's a lot of not that they're going to do this

01:19:50
and I don't know, fanfic or whatever, it's going to happen

01:19:53
involving this movie or this book.

01:19:56
But if it did, there's a lot of space to fill.

01:19:58
You know, you can actually talk about what happens on Earth or

01:20:02
what happens when reality of the humans meet.

01:20:05
Yeah, What happens when the Iranians get up, you know,

01:20:07
really look at the thinking machine and figure it out, Like

01:20:10
what? What's going to, you know,

01:20:11
they've left forward in technology?

01:20:13
Yeah, One other part of that that Chris, I think was you and

01:20:16
I talking about last night. And no way you could put this in

01:20:19
the movie. It would have been a mistake.

01:20:21
But the thrum at the end of the book, I love that.

01:20:26
I love the idea in the book, but it only works in a book.

01:20:28
It really only works in a book. It does it it does.

01:20:31
I wish. I don't know.

01:20:32
They could have shown something. To see it happen would have been

01:20:36
cool. To see there was a.

01:20:37
Couple things in the book that I think did just are a little bit

01:20:41
weird that, you know, for us nerds, like we loved it.

01:20:47
Yeah, at least I did, you know, speaking as a nerd.

01:20:50
But, you know, there's just some things that you just, you gotta,

01:20:53
you know, we'll got mix. It works in the head but.

01:20:57
That's a fanfic. That's a fanfic opportunity

01:21:00
because now that we know what Iridians look like, take the

01:21:03
description Andy Weir wrote the thrum and now have AI basically

01:21:08
create what Iridians look like and then put it with the thrum

01:21:10
description. Because I'm just envisioning

01:21:12
this almost like Congress, almost looking like Star Wars in

01:21:15
the in the Senate. Palpatine these.

01:21:17
Different pods all there and they're all moving and they're

01:21:20
all gesticulating. Like imagine a flock of.

01:21:22
Birds, right? Or like.

01:21:25
When birds all have that beehive movement together and now all

01:21:28
these Iridians are doing it and it's creating a mind meld that

01:21:32
is consciously actually problem solving, right?

01:21:35
Because they're not scientists. They don't understand science.

01:21:38
They require a mind meld kind of otherworldly mystical

01:21:43
experience. I just see them all vibrating

01:21:45
and gesticulating like, and that's how they not necessarily

01:21:49
critically think, but that's how they absorb, you know, knowledge

01:21:53
or they absorb reasoning and, and are able to draw conclusions

01:21:57
to ultimately be scientific. Like that whole thing blew my

01:22:01
mind when I probably described it completely wrong, but that's

01:22:04
what I took away from you, no? No, no, that's a good way to

01:22:06
that's a good way. That's a good way to look at it.

01:22:08
I. What a cool concept.

01:22:10
It is. It is.

01:22:11
So there's two, there's a lot of avenues, yeah. 2 trippy for the

01:22:15
movie, 2 probably. And they're probably not going

01:22:17
to expand this. I mean, it's a movie that like,

01:22:20
you watch it, you feel good, you can take your grandma to see it

01:22:23
because nothing untoward happens, which is another

01:22:26
reason, by the way, the movie's going to probably continue to do

01:22:28
well. Everybody can go.

01:22:31
I think, you know, even people that aren't in science can go.

01:22:35
With the money they're making and the way this industry works,

01:22:38
I'd give it another two months before you hear about Project

01:22:41
Hail Mary too, before the sequel, before they, which would

01:22:43
be a terrible decision, but but the terminalized producers, you

01:22:47
know, they're so damn on the. Order of you know.

01:22:50
You just see it as a cash cow if if it's going to have that big a

01:22:52
success. You know, interstellar violent

01:22:56
too. Electric boogaloo.

01:22:58
Yeah, electric. Boogaloo.

01:23:02
No, man, I like this. I like this movie.

01:23:05
I think I'm going to give it a Oh yeah, I'm going to give it an

01:23:08
A solid a all. Right, all right, I'll give it.

01:23:12
I'll, I'm going to give it an A minus.

01:23:15
I want it, I want it because there are things that I want

01:23:19
even outside of knowing the book.

01:23:21
But I, I think everything was well organized and, and more and

01:23:26
more importantly, and I think we, you know, we did this talk

01:23:28
about it. It's extremely accessible and

01:23:31
enjoyable. It's just a very enjoyable film.

01:23:34
And God knows we could use more of those right now.

01:23:37
So yeah. Yeah, I can't agree more with

01:23:40
with those takes. I think I do settle with an A

01:23:44
minus and I do have to say, if I didn't read the book, I think it

01:23:48
would be an A+. I'm really glad.

01:23:51
I'm glad for people who haven't seen the book are going to go in

01:23:54
with everything I love the most about the book and why the

01:23:57
book's an A+ and I'm going to and people are going to be

01:23:59
allowed to have that experience in a theater and get that A+

01:24:02
level experience. The only a minus for me is that

01:24:05
I'm going into it with a critical lens and I had hoped it

01:24:08
has me drop all that at the door, just leave my baggage

01:24:11
behind. And unfortunately, there was

01:24:13
just just enough wiggle room for me to come in and say, oh, this,

01:24:19
oh that. And and that was a little

01:24:21
disappointing. The one other area I'll say is

01:24:24
Chris, you picked your favorite scene was the the action

01:24:27
sequence because there really only was one.

01:24:29
That was the number one time I was taken out of the film only

01:24:33
because I'm thinking of science gravity, where they are.

01:24:36
How's. This planet.

01:24:37
And then also again, it was the book thing of the book had the

01:24:42
time to explore this. And what Andy Weir did so well

01:24:45
was that anything he was writing, he was making the

01:24:48
audience feel I, I feel physically.

01:24:51
So the the tediousness of making the chain to go down and harvest

01:24:55
the Tamiba. That chain was just like, holy

01:24:58
shit, I feel for these dudes like 10 kilometers, months of

01:25:00
their life, hours and hours. And instead you just go, I

01:25:04
rocky, I make chain, chain done 5 kilometers long.

01:25:06
Let's go harvest Tamiba. I'm like, I see why you have to

01:25:09
do that, but it was it took me out of the movie to be like, oh,

01:25:11
damn, that's weak. And then similarly when Rocky

01:25:15
just fell asleep and all of a sudden it's like, oh, he'll

01:25:17
regenerate. So let me do things around the

01:25:18
ship, let me play housemaid and clean up.

01:25:21
And I'm just like, no, like Rocky's fucking dying.

01:25:23
Like possibly dead or just going to.

01:25:25
Magically, I mean, he thought, he thought he thought he might

01:25:27
die, but he was also like, I got to get to work.

01:25:29
So, and the one thing Craig, you and I talked about was that

01:25:32
possibly could have been Ryan Gosling in denial, right?

01:25:37
Rocky might die. He's in a heap over here.

01:25:38
I'm just going to let that be because I can't handle it right

01:25:40
now. Like emotional?

01:25:42
I can do about it right now. I think that would have been a

01:25:44
proper read on the scene too, but still just disappointing

01:25:47
that Rocky sacrificed to break out of the Zena night on page

01:25:52
cut. Cut me to my core.

01:25:53
It it cut me down. Yeah, it it it hurt me.

01:25:56
It pained me. And instead the movie just goes

01:25:58
give him a few minutes. He'll wake up.

01:26:00
It's give him a smile salt. I was just like, oh, come on.

01:26:05
So I would have gone straight AA plus if there weren't a few of

01:26:09
these tiny little things which allowed me to criticize.

01:26:11
But if you say that is that is movie baggage, right?

01:26:14
Or sorry if we didn't know. If we didn't know, we'd be like,

01:26:18
OK, you know, he's he's got to, he's got to save their

01:26:22
civilizations together. He's got to get to work.

01:26:24
So for my favorite scene, though, which potentially could

01:26:28
push it up to an A so I'm going to stick with the A minus.

01:26:29
But what's flirting with me going to an A is the first third

01:26:33
of the film after he wakes up from the coma because I was only

01:26:35
I was only so So on that. After that, though, the sequence

01:26:38
of Strat getting him at school and then him and Carl and their

01:26:42
adventures, There's my winner, my favorite sequence.

01:26:45
Yeah, testing the astrophage, the adventures of Carl and

01:26:48
Ryland bowling in the Home Depot, making light of this

01:26:52
whole world ending astrophage thing of we only have three

01:26:55
dots. Oh my God.

01:26:56
And then they move off Petri dish and he finds them on the

01:26:58
light. Put a box in a box.

01:27:00
Carl put a box in a box. In a box.

01:27:02
The Carl Ryland sequence to me was the best.

01:27:05
That was inspired to inspired edition.

01:27:07
I agree exactly. That's and what's great is

01:27:10
people who don't know the book also now have like an

01:27:12
encyclopedia to go back to because all these things we

01:27:15
talked about being cut, you go back to the book.

01:27:17
It's almost like the expanded universe of Project Elm Berry.

01:27:21
The book was the original source material, but now it looks like

01:27:24
expanded universe to the movies can Yeah.

01:27:27
I. I hope people do that.

01:27:29
I. Really hope people watch this

01:27:30
movie and then they're like, I want to read the book.

01:27:32
And listen to the audio book. And look.

01:27:34
Oh yeah, and the feed the audio book.

01:27:37
Ray Porter, such a good job. Yeah.

01:27:41
Anything else we. I think we went almost as long

01:27:43
as the movie guys. Yeah, sorry, I, I, I, I in

01:27:46
particular had opinions, but. I I was like you guys did.

01:27:50
We were like rats in a bucket. Every time we ran out of steam,

01:27:52
something else just gave us reason to keep going.

01:27:55
Six of these goods. You give those rats some

01:27:57
cocaine, they would have went for years.

01:28:03
Wow, this movie wasn't 36 minutes.

01:28:06
Yeah, did not, did not feel like 2 hours and 36 minutes.

01:28:09
Was it, was it 2 1/2 hours? Really.

01:28:11
Yeah. Oh, so so you're right.

01:28:13
It didn't, it did not. It did not feel it.

01:28:16
You think there'll be an extended edition?

01:28:20
You know, it's like they don't make DVDs anymore.

01:28:22
You know how you. Would be able to buy.

01:28:23
DVDs and like had so many. Guilty scenes.

01:28:27
Yeah, interviews with authors and shit or not authors, Yeah,

01:28:30
but with actors and stuff like that.

01:28:32
Now what you can do is tease that to a streaming service or

01:28:35
something, right? To like give them a Lego.

01:28:37
They do that, though, do they? Do they?

01:28:39
They don't do that. What?

01:28:40
Well. No.

01:28:41
Maybe that's another podcast, but I have questions like why

01:28:44
don't they do that? I would buy that, although it

01:28:46
seems like physical media. Is paying for it.

01:28:48
DVS are making a comeback. They're collectors.

01:28:51
Yeah, they're people. So now, like, and they're way

01:28:54
more expensive than what I, yeah, than what I, I used to

01:28:58
buy, go to Walmart. Like on that was my favorite

01:29:01
thing to do on on Black Friday was to go to Walmart and pick

01:29:05
up, you know, they had three dollar deep Blu rays, $5 Blu

01:29:09
rays, $10 Blu rays and like, you know.

01:29:11
The margins on them have to be incredible.

01:29:15
But now like. 60 bucks. People are searching for the

01:29:19
best pressings, like the quality of like, cuz you know, I'm sure

01:29:23
all those ones that I bought at Walmart were like, they're not

01:29:26
the best, you know, quality. In terms of, that wasn't the,

01:29:30
that wasn't the. It wasn't the point, but now

01:29:32
it's like, all right, how good someone can like, you know, RIP

01:29:36
or I don't know how they do it, but like, you know, like back in

01:29:39
the day making a vinyl, right, How good the quality is of of

01:29:42
that transfer. But you have to have the player

01:29:45
too. And I feel like with streaming,

01:29:47
so many, so many fewer people are having the actual hardware

01:29:50
to play it, that that's going to be a niche thing that can

01:29:54
generate a, a kind of niche subset, but you're not going to

01:29:57
mass market it anymore. So I mean, it's like, it's just

01:30:01
like vinyls, right? People do they have people have

01:30:03
right. Exactly, you know, record

01:30:05
players and it's right. But even even with CD because

01:30:09
you can't buy ACD anymore. Can't buy.

01:30:10
Yeah, exactly. You either digitally buy it.

01:30:14
People don't even digitally buy music anymore.

01:30:16
They people just oh, don't get me to have a have a have a

01:30:19
streaming service. You don't actually own anything.

01:30:22
No. Seriously taken away from you at

01:30:27
any point? This is the yes, we, we don't,

01:30:30
and it we're poor for it. I don't actually know.

01:30:34
You didn't ask me to talk about it because I'm talking about it,

01:30:37
but I don't actually know how to support my favorite artist now,

01:30:42
right? Like right I have.

01:30:43
To go to an album was a statement.

01:30:46
Yeah, yeah, yeah, right. We bought an album you.

01:30:48
I'm financially supporting you. I'm happy, right, right, right.

01:30:51
I want to own a piece of. Your and look and look, look

01:30:53
even even back in the day I knew that buying an album still while

01:30:58
it's supported a little bit, really the artists made their

01:31:00
money back on tour. But now even a lot of artists

01:31:05
are one, it's hard to catch tours 2.

01:31:09
There's some artists who aren't coming where I am, even though I

01:31:11
live in a major metropolitan area 3.

01:31:15
You know, I do come. It's like $2000.

01:31:19
Exactly. Yeah, that's the other thing,

01:31:20
like getting through a concert is just, it's not like it used

01:31:23
to be. Yeah, yeah, Craig, we're gonna

01:31:25
have to have you back on our second podcast called Showing

01:31:28
Our Age and Showing Our Hairlines, dude.

01:31:33
I man, I'm, I'm trying to accept it gracefully.

01:31:36
That's just like, you know, I, I, I swear I went into the

01:31:39
pandemic with the full actual header here.

01:31:42
I don't know. And now it's time for the

01:31:44
segment. How many greys do you see?

01:31:49
This is great. The A guys A.

01:31:51
Lot of fun. We got to get back on that

01:31:53
often, Greg, this is. Good.

01:31:54
Yeah, well, you know, you know where to find me.

01:31:56
Literally. Yeah, oh man.